[Extract] Screen histories tend to fall out from production-centred or directors' perspectives, with screenwriters figured in transitory roles. Susan Lever’s aim to write 'a history of Australian television drama from the writer's point of view, treating the script as central to the creation' is a welcome flip of perspective that is coupled with the aim to address the 'neglect of television drama in literary history'
Review of The Shadow of the Precursor edited by Diana Glenn, Md Rezaul Haque, Ben Kooyman and Nena B...
Book review of New television: The aesthetics and politics of a genre by Martin ShusterChicago: Univ...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
[Extract] Screen histories tend to fall out from production-centred or directors' perspectives, with...
The Television Series is a series of books published by Manchester University Press on authors of te...
Kate Douglas's review of "Making Stories: How Ten Australian Novels Were Written" (Crows Nest: Allen...
Sarah Arnold, Gender and Early Television. Mapping Women’s Role in Emerging US and British Media, 18...
Originally announced for publication by I.B. Tauris in 2018, Contemporary British Television Drama c...
Review of: Contemporary British Television DramaJames Chapman, Contemporary British Television Drama...
Review of:\ud Jonathan Bignell and Stephen Lacey (eds), Popular Television Drama: Critical Perspecti...
A review of 'Seeing by Electricity: The Emergence of Television, 1878-1939' by Doron Galili, publish...
Literary History William H. Wilde, Joy Hooton and Barry Andrews. The Oxford Companion to Australian ...
review of A History of the Book in Australia 1891-1945: A National Culture in a Colonised Market. Ed...
Adaptation constitutes the driving force of contemporary culture, with stories adapted across an arr...
Review of Their Own Best Creation: Women Writers in Postwar Television, by Annie Berke
Review of The Shadow of the Precursor edited by Diana Glenn, Md Rezaul Haque, Ben Kooyman and Nena B...
Book review of New television: The aesthetics and politics of a genre by Martin ShusterChicago: Univ...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
[Extract] Screen histories tend to fall out from production-centred or directors' perspectives, with...
The Television Series is a series of books published by Manchester University Press on authors of te...
Kate Douglas's review of "Making Stories: How Ten Australian Novels Were Written" (Crows Nest: Allen...
Sarah Arnold, Gender and Early Television. Mapping Women’s Role in Emerging US and British Media, 18...
Originally announced for publication by I.B. Tauris in 2018, Contemporary British Television Drama c...
Review of: Contemporary British Television DramaJames Chapman, Contemporary British Television Drama...
Review of:\ud Jonathan Bignell and Stephen Lacey (eds), Popular Television Drama: Critical Perspecti...
A review of 'Seeing by Electricity: The Emergence of Television, 1878-1939' by Doron Galili, publish...
Literary History William H. Wilde, Joy Hooton and Barry Andrews. The Oxford Companion to Australian ...
review of A History of the Book in Australia 1891-1945: A National Culture in a Colonised Market. Ed...
Adaptation constitutes the driving force of contemporary culture, with stories adapted across an arr...
Review of Their Own Best Creation: Women Writers in Postwar Television, by Annie Berke
Review of The Shadow of the Precursor edited by Diana Glenn, Md Rezaul Haque, Ben Kooyman and Nena B...
Book review of New television: The aesthetics and politics of a genre by Martin ShusterChicago: Univ...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...